First event of the European Network on Latin American Art Studies (ENLAAS).
"Mapping Space and Time" will be held at Forum Transregionale Studien and Bardo Projektraum.
9-12 April 2025, University of York, UK
Participation as a speaker with the paper "The Peruvian Connection: CAyC, Early Cybernetics, and the Experimental Art Scene in Lima of the 1970s."
Panel: The CAyC Network Revisited: Archives, Methodologies, and Critical Perspective on Argentina’s Centre for Art and Communication.
2 March 2025, Chto Delat Emergency Room, Berlin
An event by Katerina Valdivia Bruch and Marina Camargo.
Does art belong to someone? Is it attached to a particular geographical space? Can we speak about something such as “settler art” or “settler artists”? If so, who are the settlers? Who would be the ones suffering from these “art settlements”?
12-15 February 2025, Hilton Midtown, New York, USA
Participation as a speaker with the paper "An Inclusive Gesture: Peru’s Participation in the 14th Bienal de São Paulo (1977)."
Panel: Indigenous Art Exhibitions In and Out of the Americas. Are We Learning to Listen?
Check the texts, videos and audios of the research platform on Latin American Art "Rethinking Conceptualism."
Dr Katerina Valdivia Bruch is a Berlin-based independent curator, writer, and researcher. She holds a PhD in Art (University of Reading), an MA in Museum Studies and Critical Theory (Independent Study Programme, MACBA/Universitat Autònoma de Barcelona), a Cultural Policies and Management Diploma (Universitat de Barcelona), and a BA in Philosophy (Pontificia Universidad Católica del Perú). Katerina has curated exhibitions, organised talks and symposia, and collaborated with several institutions, including Haus der Kulturen der Welt, Hirshhorn Museum and Sculpture Garden, Kunstmuseum Bonn, ZKM-Center for Art and Media Karlsruhe, Bielefelder Kunstverein, Centre de Cultura Contemporània de Barcelona, Instituto Cervantes, Instituto Cultural de León, Para/Site Art Space, and the Institute of Contemporary Arts Singapore. In 2008, she was co-curator of the Prague Triennale Re-Reading the Future at the National Gallery in Prague. Besides her work as a curator, she contributes essays and articles to art publications and magazines. Since 2020, she is the artistic director of the research platform on Latin American art Rethinking Conceptualism: Avant-Garde, Activism and Politics in Latin American Art (1960s-1980s).
Dance is Katerina's first passion. Her dance projects have taken her to different countries, where she could develop her practice as a choreographer and dancer, as well as a teacher. She has performed, created choreographies and video dance pieces, given contemporary dance lessons and workshops in Germany, India, Indonesia, Brazil, Mexico, Peru, Croatia, Serbia, Poland and Spain. She develops and participates in artistic projects within an interdisciplinary scope. Her projects include participating in the dance exchange programme Point to Pointe in Warsaw (Poland), organised by Asia-Europe Foundation; teaching contemporary dance to the members of Tembi Dance Company in Yogyakarta (Indonesia), hosting video dance workshops in Brazil (Belem do Pará and Recife) and India (Bangalore), and being an artist in residence of the bangaloREsidency at Natya & STEM Dance Company, organised by Goethe-Institut Bangalore (India). Katerina's current focus is on dance in public spaces and video dance.
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Dr Katerina Valdivia Bruch
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Copyright © Dr Katerina Valdivia Bruch | artatak, 2006-2025. All rights reserved
Image credits according to the division of the website: IMAGES ON TOP OF THE PAGE: "rethinking Conceptualism" © Katerina Valdivia Bruch; Exhibition Views of "Between Personal Chronicles and Collective Memory" at Instituto Cervantes Berlin, 2021 © Katerina valdivia Bruch; Curate: exhibition views of "What is it to be Chinese?" at Grimmuseum, Berlin, 2012. Photo: © Laura Gianetti; Write: free stock photo; Dance: solo dance piece "Raku" at Casa Elizalde, Barcelona, 2006. Photo: Raúl Olías González