Current
Rethinking Conceptualism: Avant-Garde, Activism and Politics in Latin American Art (1960s-1980s)
Between the 1960s and 1980s, several Latin American countries were under military rule. At that time, there was a wave of mass awakening, a surge of social awareness in Latin America calling for more social justice, influenced mainly by the Cuban Revolution (1953-1959), amongst other socialist initiatives. At the same time, there was a need to find new ways to maintain local economies without accepting the monopoly and profit of international enterprises. In this context, socialist ideas spread across the hemisphere, primarily focused against U.S. imperialism.
This political upheaval created a sense of unity among many Latin American countries. And, despite the fact that these states had different levels of foreign intervention and diverse social and cultural developments, they were unified by a social element: the fight for social justice and longing for change was understood as something relevant to the whole subcontinent. The common spirit of correspondence and the internationalism, arising from this sociopolitical context, paved the way for the establishment of a number of networks for solidarity and protest.
Under these conditions, a number of artists across Latin America turned to art as a tool for demonstration, aiming to foster social change. During this period, some artists and critics also looked for ways to describe this artistic production, identifying aspects they considered characteristic of the Latin American subcontinent.
Within this framework, the symposium on conceptual art from Latin America Rethinking Conceptualism: Avant-Garde, Activism and Politics in Latin American Art (1960s-1980s) presents an overview of conceptual art practices in Latin America from the 1960s to the 1980s, showing its characteristics and particularities that set it apart from the mainstream conceptualist art canon in Europe and the U.S. One of the aims of this event is to spread awareness of this lesser-known moment in art history in Germany, showing how Latin American artists explored the potential of art, politics and the avant-garde.
Additionally, the project strives to make visible the links between Latin America and Germany, by showing the work of the protagonists of that period and their ties to Germany, and by presenting an exhibition of works by Latin American artists living in Berlin, who depict their view of Latin America from the diaspora.
Programme:
Since May 2020: regular online programme with reading sessions and workshops
10 - 25 March 2021: symposium, in eight online Q & A sessions with pre-recorded lectures
2 - 9 June 2021: exhibition Between Personal Chronicles and Collective Memory
Rethinking Conceptualism: Avant-Garde, Activism and Politics
in Latin American Art (1960s-1980s)
A project conceptualised and curated by Katerina Valdivia Bruch
SYMPOSIUM | DISCUSSION | EXHIBITION | WORKSHOPS | ONLINE EVENTS
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In collaboration with Ibero-Amerikanisches Institut (symposium), Instituto Cervantes Berlin (exhibition) (2020-2021)
Funded by Hauptstadtkulturfonds, Institut für Auslandsbeziehungen
With the support of Embassy of Uruguay in Germany, Embassy of Chile in Germany
